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The innermost narrative kernel of the Mahabharata
tells the story of two sets of paternal first cousins--the five sons
of the deceased king Pandu [pronounced PAAN-doo] (the five Pandavas
[said as PAAN-da-va-s]) and the one hundred sons of blind King Dhritarashtra
[Dhri-ta-RAASH-tra] (the 100 hundred Dhartarashtras [Dhaar-ta-RAASH-tras])--who
became bitter rivals, and opposed each other in war for possession
of the ancestral Bharata [BHAR-a-ta] kingdom with its capital in the
"City of the Elephant," Hastinapura [HAAS-ti-na-pu-ra],
on the Ganga river in north central India.
What is dramatically interesting within this simple
opposition is the large number of individual agendas the many characters
pursue, and the numerous personal conflicts, ethical puzzles, subplots,
and plot twists that give the story a strikingly powerful development.
The five sons of Pandu were actually fathered
by five Gods (sleeping with his wives was mortally dangerous for
Pandu, because of a curse) and these heroes were assisted throughout
the story by various Gods, seers, and brahmins, including the seer
Krishna Dvaipayana Vyasa [VYAA-sa] (who later became the author
of the epic poem telling the whole of this story), who was also
their actual grandfather (he had engendered Pandu and the blind
Dhrtarastra upon their nominal father's widows in order to preserve
the lineage).
The one hundred Dhartarashtras, on the other
hand, had a grotesque, demonic birth, and are said more than once
in the text to be human incarnations of the demons who are the perpetual
enemies of the Gods. The most dramatic figure of the entire Mahabharata,
however, is Krishna Vasudeva [Vaa-su-DAY-va], who was the supreme
God Vishnu himself, descended to earth in human form to rescue Law,
Good Deeds, Right, and Virtue (all of these words refer to different
aspects of "dharma").
Krishna Vasudeva was the cousin of both parties,
but he was a friend and advisor to the Pandavas, became the brother-in-law
of Arjuna [AR-ju-na] Pandava, and served as Arjuna's mentor and
charioteer in the great war. Krishna Vasudeva is portrayed several
times as eager to see the purgative war occur, and in many ways
the Pandavas were his human instruments for fulfilling that end.
The Dhartarashtra party behaved viciously and
brutally toward the Pandavas in many ways, from the time of their
early youth onward.
Their malice displayed itself most dramatically
when they took advantage of the eldest Pandava, Yudhishthira [Yu-DHISH-thir-a]
(who had by now become the universal ruler of the land) in a game
of dice: The Dhartarashtras 'won' all his brothers, himself, and
even the Pandavas' common wife Draupadi [DRAO-pa-dee] (who was an
incarnation of the richness and productivity of the Goddess "Earthly-and-Royal
Splendor," Shri [Shree]); they humiliated all the Pandavas
and physically abused Draupadi; they drove the Pandava party into
the wilderness for twelve years, and the twelve years had to be
followed by the Pandavas' living somewhere in society, in disguise,
without being discovered for one more year.
The Pandavas fulfilled their part of that bargain,
but the villainous leader of the Dhartarashtra party, Duryodhana
[Dur-YODH-ana], was unwilling to restore the Pandavas to their half
of the kingdom when the thirteen years had expired. Both sides then
called upon their many allies and two large armies arrayed themselves
on 'Kuru's Field' (Kuru was one of the eponymous ancestors of the
clan), eleven divisions in the army of Duryodhana against seven
divisions for Yudhishthira. Much of the action in the Mahabharata
is accompanied by discussion and debate among various interested
parties, and the most famous sermon of all time, Krishna Vasudeva's
ethical lecture and demonstration of his divinity to his charge
Arjuna (the justly famous Bhagavad Gita [BHU-gu-vud GEE-ta]) occurred
in the Mahabharata just prior to the commencement of the hostilities
of the war.
Several of the important ethical and theological
themes of the Mahabharata are tied together in this sermon, and
this "Song of the Blessed One" has exerted much the same
sort of powerful and far-reaching influence in Indian Civilization
that the New Testament has in Christendom.
The Pandavas won the eighteen day battle, but
it was a victory that deeply troubled all except those who were
able to understand things on the divine level (chiefly Krishna,
Vyasa, and Bhishma [BHEESH-ma], the Bharata patriarch who was emblematic
of the virtues of the era now passing away). The Pandavas' five
sons by Draupadi, as well as Bhimasena [BHEE-ma-SAY-na] Pandava's
and Arjuna Pandava's two sons by two other mothers (respectively,
the young warriors Ghatotkaca [Ghat-OT-ka-cha] and Abhimanyu [A-bhi-MUN-you
("mun" rhymes with "nun")]), were all tragic
victims in the war. Worse perhaps, the Pandava victory was won by
the Pandavas slaying, in succession, four men who were quasi-fathers
to them:
Bhishma, their teacher Drona [DROE-na], Karna
[KAR-na] (who was, though none of the Pandavas knew it, the first
born, pre-marital, son of their mother), and their maternal uncle
Shalya (all four of these men were, in succession, 'supreme commander'
of Duryodhana's army during the war). Equally troubling was the
fact that the killing of the first three of these 'fathers,' and
of some other enemy warriors as well, was accomplished only through
'crooked stratagems' (jihmopayas), most of which were suggested
by Krishna Vasudeva as absolutely required by the circumstances.
The ethical gaps were not resolved to anyone's satisfaction on the
surface of the narrative and the aftermath of the war was dominated
by a sense of horror and malaise. Yudhishthira alone was terribly
troubled, but his sense of the war's wrongfulness persisted to the
end of the text, in spite of the fact that everyone else, from his
wife to Krishna Vasudeva, told him the war was right and good; in
spite of the fact that the dying patriarch Bhishma lectured him
at length on all aspects of the Good Law (the Duties and Responsibilities
of Kings, which have rightful violence at their center; the ambiguities
of Righteousness in abnormal circumstances; and the absolute perspective
of a beatitude that ultimately transcends the oppositions of good
versus bad, right versus wrong, pleasant versus unpleasant, etc.);
in spite of the fact that he performed a grand Horse Sacrifice as
expiation for the putative wrong of the war.
These debates and instructions and the account
of this Horse Sacrifice are told at some length after the massive
and grotesque narrative of the battle; they form a deliberate tale
of pacification (prashamana, shanti) that aims to neutralize the
inevitable miasma of the war.
In the years that follow the war Dhritarashtra
and his queen Gandhari [Gaan-DHAAR-ee], and Kunti [Koon-tee], the
mother of the Pandavas, lived a life of asceticism in a forest retreat
and died with yogic calm in a forest fire.
Krishna Vasudeva and his always unruly clan slaughtered
each other in a drunken brawl thirty-six years after the war, and
Krishna's soul dissolved back into the Supreme God Vishnu (Krishna
had been born when a part of Vishnu took birth in the womb of Krishna's
mother).
When they learned of this, the Pandavas believed
it time for them to leave this world too and they embarked upon
the 'Great Journey,' which involved walking north toward the polar
mountain, that is toward the heavenly worlds, until one's body dropped
dead. One by one Draupadi and the younger Pandavas died along the
way until Yudhishthira was left alone with a dog that had followed
him all the way. Yudhishthira made it to the gate of heaven and
there refused the order to drive the dog back, at which point the
dog was revealed to be an incarnate form of the God Dharma (the
God who was Yudhishthira's actual, physical father), who was there
to test Yudhishthira's virtue.
Once in heaven Yudhishthira faced one final
test of his virtue: He saw only the Dhartarashtras in heaven, and
he was told that his brothers were in hell. He insisted on joining
his brothers in hell, if that be the case! It was then revealed
that they were really in heaven, that this illusion had been one
final test for him. So ends the Mahabharata.
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